godfather

godfather

Wednesday, 26 February 2014

Gratifications


Looking at film audiences

 

You can analyse any text by seeing which gratifications it offers, and

this can help you understand why the text was

a) a mainstream or niche success

b) why it appealed to one specific audience and not another.

 

Uses and Gratifications
RoboCop
Selfish Giant
Who is the audience for your film?
Primary and secondary audience
Niche or mass audience
Mass audience, mainly primary and very mainstream.
Niche success, wasn’t in cinemas for a long time. Mainly DVD sales therefore secondary audience.
Personal Identity
·         Finding reinforcement for personal values
·         Finding models of behaviour
·         Identifying with valued other (in the media)
·         Gaining insight into one's self
·         What it means to be human.
·         Helping people in need.
·         What it means to be police, how a human is different from a machine and general human nature.
·         People in a lower/working class background can identify, have been through the same issues.
·         People can relate to the friendship and loyalty present in the film, and a role model out of it.
Information
 (also known as surveillance)
·         Finding out about relevant events and conditions in
immediate surroundings, society and the world
·         Seeking advice on practical matters or opinion and
decision choices Satisfying curiosity and general interest
·         Learning; self-education
Gaining a sense of security through knowledge
·         Realise how crime is in the inner city, albeit in a light hearted way.
·         Setting represents somewhat the place in real life.
·         Action movie, not meant to inform due to make it appeal to mass audience.
·         Insight into an environment not covered a lot in the conventional media.
·         Knowledge of the challenges people less fortunate than them face.
·         Education about others in general.
Entertainment
·         Escaping, or being diverted, from problems
·         Relaxing
·         Getting intrinsic cultural or aesthetic enjoyment
·         Filling time
·         Emotional release
·         Sexual arousal
·         Main objective of the film is to entertain and fill time, nothing more complicated than that.
·         Escapism, draw people away from real life issues via science fiction.
·         Not really escapism, identifies more problems not removing them.
·         Emotional attachment to characters.
·         Cultural insight.
Social Interaction and
Integration
·         gaining insight into circumstances of others; social empathy
·         identifying with others and gaining a sense of belonging
·         finding a basis for conversation and social interaction
·         having a substitute for real-life companionship
·         helping to carry out social roles
·         enabling one to connect with family, friends and society
·         As it appeals to mass audience, people want to interact with each other about it as they’ve all seen it.
·         Can talk about what it meant to them, and how they enjoyed it.
·         Not sophisticated though.
·         Empathy towards the two main characters, felt by all the audience.
·         The role of family, connection with eachother.
·         Talk about it with fellow views due to heavy empathy.
·         More sophisticated discussions than a blockbuster, reflective of target audience and success.

 

Tuesday, 11 February 2014

Film Production Companies

The big five:
Warner Bros.

Paramount - Lionsgate
Universal
20th Century Fox - Fox Searchlight
Disney

Art/Indie cinemas:
Curzon
Genesis
Picturehouse
Ritzy
Everyman
Rio
(London, Manchester, Liverpool, Bristol, Brighton)
Taken over by:
Streaming
Lovefilm (owned by Amazon)
Netflix

British films:
Comedy (Sean of the Dead)
Not a lot of money
Competing against their own language
Gritty social (Football Factory, Ill Manors)

Film Industry Terminology

Film Industry Terminology
Use this MEDIA terminology in your essays: YOU WILL BE QUIZZED
  • Mainstream - safe genre films that are distributed to mass, national and often international audiences
  • Independent - films that have more localised appeal and niche audiences and that often utilise digital technologies to create 'brand awareness'. Independent films do not have access to extensive distribution networks.
  • Production - the physical film making process
  • Distribution - getting the films out to cinemas and paying for the advertising and marketing
  • Exchange - OCR's commonly used terminology
  • Multinational Conglomerate - large organisations whose business interests are global, utilising synergy and convergence and also cross media ownership.
  • Monopoly - where one company dominates the market
  • Oligopoly - where four or more companies dominate the market
  • The Big Six - the four international organisations that dominate film distribution and form the oligopoly of ownership (owned by multi national conglomerates
  • Globalisation - where films are distributed around the work through elaborate cross media networks
  • Horizontal Integration - where one media company acquires another media company in the same sector eg Vue acquiring Warner Village Cinemas in 2003
  • Vertical Integration - where the means or production and distribution are controlled by one company
  • Digital technologies - primarily this refers to how the internet has changed the industry including advertising through and on websites, online distribution, streaming, legal and illegal downloading eg. through YouTube (file sharing)
  • Synergy - where two or more compatible products sell each other eg. a film and CD (8 Mile)
  • Merchandising - where the popularity of film are manipulated through the sales of spinoff goods eg. t-shirts and associated clothing, wristbands, stickers, badges and mugs
  • Cross media ownership - where companies have interest in a range of media eg Sony and Gaming, film Distribution, electronic (media related) devices
  • Convergence where film is advertised using a range of media platforms but also becomes available on one platform - the internet.

Friday, 7 February 2014

Film Advertising on the Internet

Example One

 
 
What is it? 
 It's an advertisement on Facebook for the new film "RoboCop". It would appear on people who like the film on Facebook's newsfeed.
 
What is the source?
The source is studiocanaltickets.co.uk, due to the link in the text.
 
 
 

Wednesday, 5 February 2014

Robocop

Robocop

UK Release Date - February 7th 2014

Institutions
  • Metro-Goldwyn-Mayer (MGM) (presents) (as Metro-Goldwyn-Mayer Pictures)
  • Columbia Pictures (presents)
  • Strike Entertainment

Budget
100 million
Nationality
USA
Production
Big budget blockbuster
Connections 
It's a remake of the 1987 classic film, "RoboCop"
Director 
Jose Padilha
Stars
Samuel L Jackson, Michael Keaton and Gary Oldman
Plot 
Set in 2028, International Conglomerate OmniCorp create a half man, half machine creature to police the crime ridden streets of Detroit.
Audience 
Fans of the originial, teenagers who enjoy action films as it's a PG-13 rating.

Tuesday, 4 February 2014

The Selfish Giant

UK Release Date - 25 October 2013

Institutions
Production: BFI Film Fund, Moonspun Films and Film4 (Funding)
Distribution:
  • CinĂ©art (2014) (Netherlands) (theatrical)
  • Pyramide Distribution (2013) (France) (theatrical)
  • Sundance Selects (2013) (USA) (theatrical)
  • Front Row Filmed Entertainment (2014) (United Arab Emirates) (all media) (Middle East, North Africa & Iran)
  • Kurmaca Film (2013) (Turkey) (all media)
  • Rialto Distribution (2013) (Australia) (all media)
  • Rialto Distribution (2013) (New Zealand) (all media)

Budget: 1.4 million
Nationality - British
Production - Independent, low budget.
Connections - None
Director - Clio Bernard
Star names - None
Plot - Two lower class northern children trying to survive by stealing.
Will appeal to British people who can relate, all ages.

Selfish Giant Trailers


Reviews
http://www.theguardian.com/film/movie/155239/selfish-giant/
http://www.film4.com/reviews/2013/the-selfish-giant

Poster

Wednesday, 22 January 2014

Film Swedes

Swedes that interest me

Robocop (1987)


I enjoyed this swede because it took scenes from the entire film and was quite entertaining overall, especially how they did the RoboCop character. Also the final part was true to the film


The Hobbit: An Unexpected Journey (2012) 


This is also another swede that intrigued me, as it was of a trailer instead of a full film. This means they were able to swede an entire sequence that professionals put together instead of just a compilation of 
short scenes.

Lord of the Rings Trilogy (2001-2003)


This is rather entertaining swede as it does all three films rather quickly with new dialogue, making it lighthearted.

Tuesday, 21 January 2014

TASK 2 - Film Industry introduction

Which of these films would you be tempted to see?

I would like to see the films:

  • The Wolf of Wall Street
  • 12 Years a Slave
  • The Hobbit: The Desolation of Smaug
  • Gravity
  • Last Vegas
  • American Hustle

Are these films Hollywood films?

All of the films I've listed are Hollywood films, as all the films available are from Hollywood, but I do like films from different origins.

How many are Hollywood films?

They are all Hollywood films

How many are British?

12 Years A Slave is a British-American film.

How many are foreign language?

None, because none are offered in my area.

How many are 3D?

Gravity and The Hobbit I would consider watching in 3D, but I usually don't watch them in 3D.